Senseless violins
At
aiwendel's birthday party on Saturday there was a considerable amount of impromptu music-
I played the violin seriously when I was a child. I started at age seven or thereabouts, was very lucky in the availability of good teachers, and by the time I was about fifteen I'd got pretty good at it: they told me I was well beyond Grade 8 standard, though for reasons I don't recall the only exam I'd ever actually taken was Grade 7 some years earlier. Then I gave up, mostly on the grounds that I was getting tired of the constant pressure from teachers to put more of my time and effort into it so I could reach a really high standard: I had lots of other things I wanted to do with my time and effort too, and had more or less decided by that point that my future lay in computers rather than violin-
I maintained an interest in general musicianship, dabbling with keyboards and guitar and sporadically trying my hand at composition, but I never really regretted giving up the violin. A few years later, when I had a brush with RSI, it struck me as significant that my left wrist had a lot more trouble than my right: that's the one that curls round at a really silly angle when playing the violin, and it seemed likely to me that this wasn't coincidence. I've often suspected that if I'd kept the violin up, my left wrist would really be in trouble now, whereas in fact I recovered from the RSI (eventually) and now only have to take normal sorts of precautions.
Since then I've occasionally been tempted into having a go on someone else's violin when one was lying around. The last time I tried was around 2004 or so, if I remember rightly, and I remember finding it strangely incongruous that my right hand could still pretty much remember how to do the bowing, but my left hand no longer naturally formed the alternating short-
So when I had another opportunity on Saturday I was rather more reluctant to even try. However, against my better judgment and after some egging-
My initial attempts were just embarrassing. My left hand had all the problems I remembered from my last attempt, but now my right hand had forgotten how to bow competently too. Nobody else seemed to complain, for some bizarre reason, but I knew it was out of tune, scratchy and clumsy. The trouble with doing things at which you're hopelessly out of practice but used to be really good is that your standards tend not to have dropped in line with your skill, so I could still remember what good violin-
Later in the evening, though, I found a lot of it coming back to me –
The next morning, however, all the embarrassment came back. I don't often get that ‘oh god, what did I do last night?’ feeling after parties, but yesterday morning I suddenly felt as if I'd made a huge, attention-
On the other hand, curiously, my left wrist felt fine this time (though my right shoulder was killing me for most of yesterday, but that seems less likely to be caused by violin-
I suspect it's probably still a bad idea, on balance: just because I didn't manage to hurt my wrist noticeably in one evening doesn't mean I wouldn't still do it cumulative damage if I kept it up for longer, and really, I do depend on my wrists…
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I was never any good at all at the violin, but I never found it hurt my wrists - of course YMMV with that, as with many other things. And buying a violin that you later find you can't use would probably be silly, and possibly also irritating in a "I have a violin and I want to play but I shouldn't" way.
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That's why I said "cheap" – indeed, I certainly wouldn't want to put any remotely serious amount of money into the idea until (unless) I was sure it was going to be worthwhile!
Playing tunes from my memory is something I've done a lot of – most of my guitar-dabbling consisted of playing my own guitar arrangements of songs I knew from my (or other people's) CD collection, concocted out of my own imagination rather than by the more traditional method of getting hold of official or unofficial tab transcriptions from elsewhere. (As a result they tended to be essentially instrumental translations of songs, in that what I tended to be able to remember and hence what I reproduced on the guitar was the vocal melody plus as much of the accompaniment as I could fit alongside it, rather than the more usual approach of having the guitar play just the accompaniment and leaving the voice part to the voice.) It's just that on the guitar I had to do it by working the fingering out in advance; on the violin, it turns out, I can improvise it in real time to a large extent.
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I am teaching myself (v slowly) to play my mum's acoustic guitar. In order to sing along to one of the first two songs in it I first learned the two chords needed, and then *using the guitar* picked out the tune of the song to work out what I was singing. I'm *hopeless* at sight-singing, even when I can sight-read to play something. It's weird. I'm already getting better at picking out individual notes on the guitar (which is much like doing the same on the bass, which I am also not very good at) but I think it's going to be a *long* time before I get the hang of chords. Not least because I keep reading the fingering diagrams back-to-front.
I don't play my bass much, I've not played mum's guitar much (though I have at least got it new strings and restrung it), and I barely touch the cornet, but I still feel overall glad to have them more often than guilty for not playing them more.
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I find that my wrist always aches after playing violin if it's the first time I've played for ages, but that's just the ache of out-of-training muscles -- I'd expect nothing less (see also legs aching after the first long bike-ride for a while, etc). When I was actually practising regularly it was fine, except when I really overdid it (three days of long rehearsals & concerts in a row, that kind of thing). I have played piano and violin for most of my life (though these days I play much less frequently than I did when I was still having lessons) and am quite convinced that this is one of the reasons why I don't get RSI -- because [handwavey explanation ahoy!] I've been doing different things with the wrists, not letting them lock into one particular pattern of movement. I'd say if you want to play again, give it a try, take it gently at first (little and often rather than long splurges of playing), & who knows, you might find it helps!
However I would say don't waste time with a cheap(-as-in-nasty) violin, you won't enjoy it as much & you'll be frustrated at not being able to get a good sound! -- why not rent a decent one? Millers say you can rent a violin for £8 per month (http://www.millersmusiccentre.co.uk/index.php?main_page=page_4&zenid=23e11e4e76957781d4c0dfb19ac8e954) and if you buy within 6 months they'll refund the rental costs; in fact, 6 months of consistent practice is probably long enough to be able to tell if it's improving/worsening/not affecting the RSI, too.
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It's so long ago that I can't remember clearly whether I had any pain when I was actually playing, but I do know that after I gave up I used to get occasional days when my left wrist would ache all day even without me having done anything unusual with it recently. So I wasn't very surprised when that was the one to keel over first in the later RSI incident.
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violinfiddle I learnt to play on fixed. (I want my violin as a fiddle not a classical violin). It was valued by the people who redid bridge and soundpost at Christmas as worth £600, the gallery music shop however said they'd sell it for 400-500quid, and buy it for 100, hence my plans to ebay as I can't afford to lose money on it.You definitely improved as the evening went on, you could tell that you used to be able to play to a much higher standard and were catching frustrated glimpses of it. It's a shame that you gave up on it really. It is nice to have a good crowd of 'lets make a noise and have fun' rather than either being judgemental or selfconscious! Much more fun, inclusive and liberating! :)
Anyway, on the offchance if you happened to like it, it's there, for now, and I was just about to take the photos and try my luck with ebay...
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I can't make it sound like that! But then I'm sticking to my old fiddle which anyone knows anything about violins hates! Sentimental or what I'm used to I'm not sure! I can't play much anyway, unlike you I didn't have years of lessons!
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Every so often, I pick up the clarinet to play but I find I'm out of breath after only a couple of minutes. Speaking to other former-clarinettists, I'm told this is not uncommon, and some proper practice would get it all back again. I do feel some shame that I used to be so much better, but if it really is 'in there' somewhere, it's going to take some digging.
(Now, the piano, on the other hand, is an instrument where I have no formal training or ability, yet I'm happy to hammer away upon it all day!)
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*grade 4 then I gave up to get some A levels; I was clearly a substandard teenager compared to the rest of this lot if I couldn't get 5 A levels and be a virtuoso on a big pile of instruments at the same time
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Violin is one of the most awkward instruments to play, involving a strange bending of things, but violinists seem to be able to carry on playing for decades so it can't be as bad as it looks. My pro violinist friends recommend Alexander technique. Maybe if you check that out when you return to playing, it would avert disaster?
Perhaps you could try viola da gamba instead?
I hope you find a way to play without damaging your wrist. Fiddle (or viol) and voice duets! :)
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The ear is exquisitely sensitive to even very slight weaknesses in technique, especially if given years of training. I don't think musical instruments are quite so much unlike riding bicycles as they seem; it's just that a slight wobble when you get on a bike for the first time in ten years doesn't make you want to clap your hands over your ears.
FWIW, when you picked up the violin and started playing, of course it wasn't a particularly brilliant sound right at the start, but it's fairly easy to tell the difference between a rank novice and somebody who used to play competently. In the latter case, rather than complaining, it's usually best to assume that they can hear the flaws too and let them get on with correcting them! You were getting noticeably better throughout the evening.
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Of course, this may have to do with our
evilrather benign master plan to have lots of nice, interesting people come round to our house and play music with each other, so there is some self-interest here!