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[syndicated profile] dotaturls_feed Thu 2026-02-26 23:04
Making wasm a first-class language on the web.

Posted by Tony Finch

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[syndicated profile] cakewrecks_feed Fri 2026-02-27 14:00
The Bride And Groan

Posted by Jen

Today's post is dedicated to all the engaged couples out there. That's right, lovebirds, I thought we might take this opportunity to consider the most important cake of your entire lives: your wedding cake.

Now, I know I feature a lot of wedding wrecks, and I know a lot of folks will point out that asking for a fondant design recreated in buttercream is asking for disaster, but don't you worry. I'm here to help. After all, this is what Leah D. ordered for HER wedding cake:


And look what she got!

It's the tinfoil-covered cookie sheet that really sells it.


Ok, yes, it's a wreck. BUT - did you notice how the inspiration cake was all buttercream, and the wreck itself is fondant? I'm just sayin'. It works both ways.

Now, don't you feel better?

No?

Ok, then how about what Susan A. ordered for her wedding? 

Not a great picture (you don't see mimeographs much these days), but I think you get the general idea.

 And here's what Susan got:

Granted, I'm not sure how this is supposed to make you feel better, but trust me, guys: the REST of us are feeling grrrrr-REAT. (John! Go make some popcorn! These are gettin' GOOD.)

 

Sara M. wanted her wedding cake to be a hunk a' hunk a' burnin' love:

The cake! The cake! The cake is on FI-YUR!

 

But instead, her cake just suffered from a mild burning sensation and performance issues:

Wah-WAAAAH.

(That was my attempt at a slide-rule trombone effect. I know: I'm a veritable foley artist with words.)

 

And finally, Elizabeth P. dreamed a dream of ribbon-wrapped sweetness for her big day:


...but ended up with something only a mummy could love:

Ouch. Uh...that's a wrap!

 

Thanks to all of today's brides and just remember, guys: wreck or Sweet, we're gonna need to see your wedding cake! (Oh, and we're all invited, right? RIGHT?!)

*****

P.S. When you don't have a cake to express yourself, there's always this:

(Sorry I'm Late, I Didn't Want To Be Here T-shirt)

Comes in lots more colors and also mens' styles at the link.

*****

And from my other blog Epbot:

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[personal profile] james_davis_nicoll Fri 2026-02-27 09:06
Glorious Exploits by Ferdia Lennon


The Sicilian debacle leaves Syracuse with seven thousand Athenian prisoners slowly starving in a quarry. What better time to stage a play?

Glorious Exploits by Ferdia Lennon
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[personal profile] chickenfeet Fri 2026-02-27 09:14
Teresa Tucci at Metropolitan United
https://operaramblings.blog/2026/02/27/teresa-tucci-at-metropolitan-united/
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[syndicated profile] dinosaur_comics_feed Fri 2026-02-27 00:00
okay MAYBE the graphic design could use some work but on the other hand... maybe not??
archive - contact - sexy exciting merchandise - search - about
February 27th, 2026next

February 27th, 2026: TORONTO IS STILL WET AND MY COMPLAINING HAS SOLVED NOTHING!!

– Ryan

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[personal profile] dolorosa_12 Fri 2026-02-27 13:44
Friday open thread: activities in incongruous places
Tonight I'm going out to the next iteration of the silent disco (80s/90s/2000s music — the cheesiest you can imagine), which as always is taking place in the cathedral. There's always a weird moment of disorientation when you enter the cavernous space of this ancient medieval cathedral ... and it's full of dancing people of all ages, dressed in lurid fluoro colours, stage lighting, and DJs.

So my prompt for this week's open thread is:

What examples of activities taking place in wildly incongruous spaces have you encountered?
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[syndicated profile] dotaturls_feed Thu 2026-02-26 23:21
snakes.run: rendering 100M pixels a second over ssh.

Posted by Tony Finch

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[personal profile] calimac Fri 2026-02-27 04:32
concert review: San Francisco Symphony
The problem with Mozart's Requiem is that he didn't live to finish it (ironically, since it's a requiem), and the substitute composers drafted in to complete the commission were not, frankly, very good. As a result a complete performance trails off awkwardly in the last few movements.

Various ideas have been tried to rescue the work from this problem. Today we had Manfred Honeck, music director from Pittsburgh, in to conduct his version. His plan is simply to cut out the parts Mozart had nothing to do with, and beef up the work by inserting other material. Sticking Ave Verum Corpus, a brief motet Mozart had written not much earlier, at the end was the conventional part of the plan; I've heard that done before, and it's a fine motet, so that works well. Also stuck in here, mostly as prelude but some as interludes, were other appropriate Mozart pieces, a movement from a Vespers and the Masonic Funeral Music, some Gregorian chants sung offstage by an almost inaudible male chorus, and some spoken readings, including the bit from Revelations about the Dies Irae, instantly followed by the music plunging into that movement of the Requiem.

The intent was to frame the work as a memorial for Mozart himself (highlighted by one of the readings being his letter to his dying father on the consolations of death), which was abruptly turned into a memorial for Joshua Robison, former SFS music director Michael Tilson Thomas's husband, who died last week. What it meant musically is that this was a very heavy, almost dragging, performance especially of the slow portions. I didn't find it very compelling artistically. That's a pity, because the performers (at least the ones onstage) were excellent, notably the Symphony Chorus which was as strong and rich as it's always been since Jenny Wong took over direction, and the soloists who don't get a lot, but of the four of them, all vivid with fine voices, the great Sasha Cooke stood out most.

Also on the program (the rebuilt Requiem took about an hour), works by Mozart's fellow Vienna classicists: Haydn's lively and quirky Symphony No. 93, and Beethoven's imposing Coriolan Overture, both more effectively put across than the main event.
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[syndicated profile] bruce_schneier_feed Fri 2026-02-27 12:05
Why Tehran’s Two-Tiered Internet Is So Dangerous

Posted by Bruce Schneier

Iran is slowly emerging from the most severe communications blackout in its history and one of the longest in the world. Triggered as part of January’s government crackdown against citizen protests nationwide, the regime implemented an internet shutdown that transcends the standard definition of internet censorship. This was not merely blocking social media or foreign websites; it was a total communications shutdown.

Unlike previous Iranian internet shutdowns where Iran’s domestic intranet—the National Information Network (NIN)—remained functional to keep the banking and administrative sectors running, the 2026 blackout disrupted local infrastructure as well. Mobile networks, text messaging services, and landlines were disabled—even Starlink was blocked. And when a few domestic services became available, the state surgically removed social features, such as comment sections on news sites and chat boxes in online marketplaces. The objective seems clear. The Iranian government aimed to atomize the population, preventing not just the flow of information out of the country but the coordination of any activity within it.

This escalation marks a strategic shift from the shutdown observed during the “12-Day War” with Israel in mid-2025. Then, the government primarily blocked particular types of traffic while leaving the underlying internet remaining available. The regime’s actions this year entailed a more brute-force approach to internet censorship, where both the physical and logical layers of connectivity were dismantled.

The ability to disconnect a population is a feature of modern authoritarian network design. When a government treats connectivity as a faucet it can turn off at will, it asserts that the right to speak, assemble, and access information is revocable. The human right to the internet is not just about bandwidth; it is about the right to exist within the modern public square. Iran’s actions deny its citizens this existence, reducing them to subjects who can be silenced—and authoritarian governments elsewhere are taking note.

The current blackout is not an isolated panic reaction but a stress test for a long-term strategy, say advocacy groups—a two-tiered or “class-based” internet known as Internet-e-Tabaqati. Iran’s Supreme Council of Cyberspace, the country’s highest internet policy body, has been laying the legal and technical groundwork for this since 2009.

In July 2025, the council passed a regulation formally institutionalizing a two-tiered hierarchy. Under this system, access to the global internet is no longer a default for citizens, but instead a privilege granted based on loyalty and professional necessity. The implementation includes such things as “white SIM cards“: special mobile lines issued to government officials, security forces, and approved journalists that bypass the state’s filtering apparatus entirely.

While ordinary Iranians are forced to navigate a maze of unstable VPNs and blocked ports, holders of white SIMs enjoy unrestricted access to Instagram, Telegram, and WhatsApp. This tiered access is further enforced through whitelisting at the data center level, creating a digital apartheid where connectivity is a reward for compliance. The regime’s goal is to make the cost of a general shutdown manageable by ensuring that the state and its loyalists remain connected while plunging the public into darkness. (In the latest shutdown, for instance, white SIM holders regained connectivity earlier than the general population.)

The technical architecture of Iran’s shutdown reveals its primary purpose: social control through isolation. Over the years, the regime has learned that simple censorship—blocking specific URLs—is insufficient against a tech-savvy population armed with circumvention tools. The answer instead has been to build a “sovereign” network structure that allows for granular control.

By disabling local communication channels, the state prevents the “swarm” dynamics of modern unrest, where small protests coalesce into large movements through real-time coordination. In this way, the shutdown breaks the psychological momentum of the protests. The blocking of chat functions in nonpolitical apps (like ridesharing or shopping platforms) illustrates the regime’s paranoia: Any channel that allows two people to exchange text is seen as a threat.

The United Nations and various international bodies have increasingly recognized internet access as an enabler of other fundamental human rights. In the context of Iran, the internet is the only independent witness to history. By severing it, the regime creates a zone of impunity where atrocities can be committed without immediate consequence.

Iran’s digital repression model is distinct from, and in some ways more dangerous than, China’s “Great Firewall.” China built its digital ecosystem from the ground up with sovereignty in mind, creating domestic alternatives like WeChat and Weibo that it fully controls. Iran, by contrast, is building its controls on top of the standard global internet infrastructure.

Unlike China’s censorship regime, Iran’s overlay model is highly exportable. It demonstrates to other authoritarian regimes that they can still achieve high levels of control by retrofitting their existing networks. We are already seeing signs of “authoritarian learning,” where techniques tested in Tehran are being studied by regimes in unstable democracies and dictatorships alike. The most recent shutdown in Afghanistan, for example, was more sophisticated than previous ones. If Iran succeeds in normalizing tiered access to the internet, we can expect to see similar white SIM policies and tiered access models proliferate globally.

The international community must move beyond condemnation and treat connectivity as a humanitarian imperative. A coalition of civil society organizations has already launched a campaign calling fordirect-to-cell” (D2C) satellite connectivity. Unlike traditional satellite internet, which requires conspicuous and expensive dishes such as Starlink terminals, D2C technology connects directly to standard smartphones and is much more resilient to infrastructure shutdowns. The technology works; all it requires is implementation.

This is a technological measure, but it has a strong policy component as well. Regulators should require satellite providers to include humanitarian access protocols in their licensing, ensuring that services can be activated for civilians in designated crisis zones. Governments, particularly the United States, should ensure that technology sanctions do not inadvertently block the hardware and software needed to circumvent censorship. General licenses should be expanded to cover satellite connectivity explicitly. And funding should be directed toward technologies that are harder to whitelist or block, such as mesh networks and D2C solutions that bypass the choke points of state-controlled ISPs.

Deliberate internet shutdowns are commonplace throughout the world. The 2026 shutdown in Iran is a glimpse into a fractured internet. If we are to end countries’ ability to limit access to the rest of the world for their populations, we need to build resolute architectures. They don’t solve the problem, but they do give people in repressive countries a fighting chance.

This essay originally appeared in Foreign Policy.

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[syndicated profile] bruce_schneier_feed Fri 2026-02-27 12:04
Phishing Attacks Against People Seeking Programming Jobs

Posted by Bruce Schneier

This is new. North Korean hackers are posing as company recruiters, enticing job candidates to participate in coding challenges. When they run the code they are supposed to work on, it installs malware on their system.

News article.

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[syndicated profile] irregularcomic_feed Fri 2026-02-27 10:11
Irregular Webcomic! #3049
Irregular Webcomic! #3049
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[syndicated profile] dotaturls_feed Thu 2026-02-26 14:34
soft-serve: a self-hostable git ssh server for the command line.

Posted by Tony Finch

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[personal profile] selenak Fri 2026-02-27 10:17
Star Trek: Starfleet Academy 1.08
In which we find out the writers of this show must really like both Thornton Wilder and the last two seasons of Angel: The Series while having issues with one particular Voyager episode, or rather its aftermath. Also, at last, at last, SOMEONE is back an my screen!

Spoilers take back a key nitpick from last week and are an Angel fan anyway )
[location |Bamberg]
[Current Mood: | contemplative]

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[personal profile] silveradept Thu 2026-02-26 22:17
A long and boring speech, annual in its delivery.
The Constitutional requirement for the President of the United States is that "from time to time" he shall "give to the Congress Information of the State of the Union, and recommend to their Consideration such Measures as he shall judge necessary and expedient[.]" This has become, by custom, a yearly address, with the intention of setting agendas and celebrating victories of the previous year by the President and his legislative allies.

Given who's in the White House right now, I expected self-aggrandizement, I expected deeply partisan commentary, and I expected Lies, Damned Lies, and Statistics that would be deployed in service of the other two. I expected the current administrator to be more in his element, since he didn't have to make policy pronouncements or answer difficult questions or any of the other things that generally take him away from the things he likes to do and make him work in our reality.

That it appeared to be more of a session much like the Prime Minister's Questions, rather than a speech on the state of the Union, I probably should have expected, but did not. I suspect many of the things said during the speech would probably have gotten someone censured in Hansard or any other such record of governmental procedure, as the deeply partisan part was very much something that he wanted to make a point of.

Running on the Associated Press transcript of the speech itself, let us dive in and see what horrors lie on the surface and below it. Not in the transcript are the several times in the speech where there are either chants of "U-S-A!" or Members of Congress attempting to fact-check the administrator or call him out on his falsehoods (or chants trying to drown out those checks and callouts) or the applause that followed some lines.

(Why do this, you might ask? Some of it is because the record needs to be set correctly. Some of it is spite and malice against someone who is unqualified and ineligible to hold the office he is currently caretaking. And some of it is because I've been doing this for a while, and I'm not letting this joker put me off it, not when I'll have plenty of low-hanging lies to point out.)

To spare your list, and also because the material contained within is likely hazardous to your blood pressure and your SAN score. )

And, as has become tradition, after the administrator gives their address, a designee of the opposition policy provides a rebuttal and a counterpoint speech to the address. The newly-elected Democratic governor of Virginia, Abigail Spanberger, was chosen to give the rebuttal, and chose to do so from the house of the legislature in Virginia. This transcript also does not indicate places where there were applause breaks in the speech, but there were only applause breaks in the speech, rather than chants or trying to drown out people who were likely fact-checking him in real time.

The Democratic response is much more grounded in the reality we are experiencing )

In a much shorter form, the response speech was more relevant, more important, and more accurate than the speech that preceded it. If the Democratic Party is willing to actually say the message, at the level of crudity and honesty that it requires, with the volume it requires, and with the repetition it requires, they should be able to instill in that part of the country that doesn't want open authoritarian and fascist government the necessary will to punch Nazis in the face, as many times as it takes to get them to go away, in as many ways as they present their face to be punched.

If we want to say the state of the union is strong, then fisticuffs, metaphorical and possibly physical, are in the cards for everyone. If we're feeling generous, Queensbury rules.
[Current Mood: | annoyed]
[Current Music: |Professor Elemental - Fighting Trousers]

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[personal profile] ysabetwordsmith on [community profile] crafty Thu 2026-02-26 23:46
Photos: Water Garden
My second garden craft today was making a mini-water garden. (See the House Yard and the Worm Bin.)

Walk with me ... )
[Current Mood: | accomplished]

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[syndicated profile] angryflower_feed Fri 2026-02-27 05:47
1649
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[personal profile] sovay Thu 2026-02-26 17:29
There's no kind of atmosphere
I hope Rob Grant would take it in the intended spirit that when I heard the news of his sudden death, all I could think was "All most of us get is 'Mind that bus!' 'What bus?' Splat!" The first six and a half series of original flavor Red Dwarf (1988–99) were a social staple of my sophomore year of college, watched primarily in my case from the top half of a bunk bed occupied by a structurally unwise number of students who would shortly branch out into whatever British television comedy we could get hold of the tapes for. It became an immediate and ineradicable part of our language. Decades later, the number of quotations from especially the first three series that have worked themselves into my present household lingo would be difficult to estimate without a rewatch. In storage with the rest of my library, I still have some of the tie-in novels, including at least one of the separately authored parallel continuations, which unfortunately for this memoriam may have been Doug Naylor's. I cannot find that I ever saw another project of Grant's except for the first series of The 10%ers (1993–96) and I am still stricken to lose yet another artist while Kissinger's heirs don't even seem to be in this machine. Not everybody has to be dead, Dave.
[Current Music: |Jenna Russell, "Red Dwarf"]

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[personal profile] tielan Fri 2026-02-27 10:50
old HD
So, I was reading a Thread where a guy was warning about old drives, and how they might not last very long anymore because of degradation of the components used in them.

So, while looking for a mouse this morning, I dug up 2 old HDs (circa 2010?) and two external HDs and figured I'd kick them started and see if they worked.

And I just found the MOTHERLODE of photos!

Dating back to 2011! Including ones of my old cat, and the parentals' old cat, and friends' children as babies! WOW.

And old trips! Including a few that I thought I'd lost forever!

(Apparently, I have always taken lots of photos of builidngs!.)

Also, boy was I skinny!! Either that, or the camera made me look skinny. Oh, younger me, why did you not realise? XD
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[personal profile] anais_pf on [community profile] thefridayfive Thu 2026-02-26 15:10
The Friday Five for 27 February 2026
Feelings…

1. What made you happy this week?

2. What made you sad?

3. What made you angry?

4. What are you looking forward to in the next week?

5. What are you not looking forward to?

Copy and paste to your own journal, then reply to this post with a link to your answers. If your journal is private or friends-only, you can post your full answers in the comments below.

If you'd like to suggest questions for a future Friday Five, then do so on DreamWidth or LiveJournal. Old sets that were used have been deleted, so we encourage you to suggest some more!
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[personal profile] kiya Thu 2026-02-26 13:34
Whoof.

Files


I'm cutting this because maybe you don't want to see Epstein files-related poetry. )
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